https://www.facebook.com/BBCOne/videos/1142251815795235/
I helped create particle effects for a couple of sequences for Russell T Davies’ adaptation of A Midsummer Night’s Dream for BBC 1. As well as doing environment work, I was responsible for the lookdev and creation of Oberons lighting attack on Titania, and swirling strands around Bottoms head.
Tools: Softimage, PFTrack, Nuke
Company: Lola Post Production
Ripper Street Face Tracking from Rasik Gorecha on Vimeo.
A little bit of face tracking in PFTrack to add cuts and bruises on Edmund Reid’s (Matthew Macfadyen) face in post. There were about 7 shots in total.
Tools: Softimage, PFTrack, Nuke
Company: Lola Post Production
I had a great time as member of the 3D team at Peerless who worked on the chase sequence along London’s Embankment. Initially creating assets and props such as Cleopatra’s Needle, Memorial to W.S Gilbert, and all the wall and plinth sections along the river side, I moved on to supervising layout, previz, lighting and rendering of the sequence which included around 60 shots.
Tools: Softimage, Mudbox
Company: Peerless Camera Company
How the Universe Works 4: Monster Blackhole Reel from Rasik Gorecha on Vimeo.
“We go inside the super-massive black hole in the centre of the Milky Way”. I was 3D Supervisor for the Probe/Blackhole sequence for the show, which totalled about 35 shots.
Tools: Softimage, ICE, Nuke