RGorecha Reel Apr 2016 Rough Cut from Rasik Gorecha on Vimeo.
This is a rough cut of my latest showreel.
Showreel 2016 (Rough Cut)
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Showreel 2013
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Showreel 2013 v02 from Rasik Gorecha on Vimeo.
This is a September 2013 update of my Showreel.
Click here for my Showreel_2013_Breakdown.pdf
The Planets
Very proud to have supervised a team of amazingly talented CG artists for BBC’s The Planets, which start on 28th May, 2019 on BBC 2.
Tools: Houdini, Photoshop, Nuke, PFTRack
Company: Lola Post Production
The Alienist – The 70th Annual Emmy Awards winner for Outstanding Special Visual Effects in a Supporting Role.
We won an Emmy!!!!
Here are the full details for Outstanding Special Visual Effects in a Supporting Role 2018;
The Alienist“The Boy On The Bridge”
TNT
- Kent Houston, VFX Supervisor
- Wendy Garfinkle, VFX Producer
- Tim Barter, Lead 2D Supervisor
- Rasik Gorecha, Lead CG Supervisor
- Martin Lake, Associate VFX Producer
- Doug Larmour, VFX Supervisor
- Alison Griffiths, VFX Producer
- Steve Murgatroyd, VFX Supervisor
- Harin Hirani, Lead Lighting TD
The Alienist
I had the great pleasure of being Lead CG Supervisor on The Alienist.
My role as supervisor was to ensure the delivery of environmental assets and layouts for several areas of late 1800’s New York city that were to be used as backgrounds for the story line. This was a huge undertaking, having to build hundreds of CG assets from bridges and building to carriages, boats, and street furniture.
Working with a team of exceptionally talented artists to build and texture the assets, we were able to create layouts from the production plans to allow set extensions and fully CG shots to be rendered by both Peerless and various vendors involved in the project.
In addition to the supervision role, my primary CG responsibility was building the Williamsburg Bridge assets and the surrounding docklands area that was featured heavily in the first episode.
Tools: SoftImage, PFTrack, Mudbox, Photoshop, Kreta, Nuke
Company: Peerless Camera Company
Assassin’s Creed
Assassin’s Creed Trailer
I had a chance to work on a couple of shots on Assassin’s Creed whilst at Double Negative. One of the more involved shots that I was responsible for (0:34) was part of the ‘Leap of faith’ sequence.
Given a base scene with layout elements, I had to extend and refine the camera move, and layout all market assets and surrounding building. Additional modelling and layout of the scaffolding around the cathedral was also required.
Once layout was complete, I laid out a lot of pre-simulated smoke elements, lit, and rendered the shot.
Tools: Maya, Clarisse, Nuke
Company: Double Negative